Tag: Nottingham Castle

The Fog Descends

Just as the Isles of Britain were recently covered in fog, a fugue hangs over Nottingham University’s exhibition on the Caves of Nottingham.

For whatever reason, I have recently garnered a number of new subscribers to my Substack pages and I would like to begin by welcoming each and every one of them.

Regular readers and listeners may have noticed that I have not published anything for some 30+ days. This has been a consequence of my falling ill on Monday, 30th December. Whilst I do not know the exact cause, I strongly suspect it may have originated in the curious fogs which have recently been afflicting the lands of Britain (and elsewhere).

Around Yuletide, or the Winter Solstice of the year 2024, a series of unusual fogs were noted by various peoples around the world. The Isles of Britain were afflicted too and many reported feeling ill as a consequence of being out and about in them. Nottingham was no exception and, for several days, a dense fog lingered over the city.

 

Jason Breshears of Archaix commented:

“The fogs and mists that have been documented recently are probably not a government weapon to kill the people. That anyone would even announce this is evidence for it being a cover story, not the truth.

In fact, these sickness mists or plague fogs have been documented since the dawn of recorded history. William Corliss in his Sourcebook Project books and Charles Fort in his myriads of reports and books has documented many incidents of fogs and mists appearing unusual and then causing widespread sicknesses. This has been happening for a long time.

In 1930 thousands fell ill after strange fogs appeared in Belgium. In 1902, the last Phoenix year they are mentioned. Referenced also in this newspaper clip. Star jelly, carbonaceous materials like flakes falling from the sky- all documented. Fetid, putrid, sticking fogs and snowflake materials of hydrocarbons.

In 1347 strange objects in the sky over Europe were seen spraying mists later called plague fogs. The Great Black Death plague broke out.” Twitter post

William Bramley wrote of contemporaneous accounts of the Black Death/Plague being caused by strange fogs in The Gods of Eden, 1989.

Whatever the cause, it is true to state that I am rarely ill and that this affliction had me bed-ridden for 3 days, during which time I had what I would describe as a head cold, with a hacking cough (that lingered for over 2 weeks), the occasional nosebleed and headaches caused by my sinuses being blocked.

Looking down to the fog in Hathersage, 27th Dec, 2024

Interestingly, on Friday 27th December, 2024, I was out on a hike in the Peak District, above the town of Hathersage. Whilst the valleys were shrouded in fog, clear blue skies were dominant at the higher levels of what are called Stanage Edge and Burbage Rocks.

 

The megalithic stones of Stanage Edge – the forces of nature did not create these.

The official narrative would have us believe that these are merely “gritstone escarpments” but, on closer inspection, the notion that these were formed by natural forces of wind, rain, ice-sheets and erosion is palpably untrue.

 

 

Burbage Rocks – again, these were not formed via glacial deposit and the action of wind and rain. What we are looking at are the remains of a huge structure from the Old World.
Higger Tor – casually dismissed as an ‘Iron Age Fort’ by the keepers of the ‘knowledge’.

I am increasingly convinced that the Isles of Britain are covered in these megalithic structures that reveal an ancient and magnificent Old World civilisation on a such a huge scale that we can scarcely imagine it, let alone emulate its architectural splendours. It is self-evident that these structures were subject to enormous cataclysms that laid them to waste and buried huge swathes of ancient architecture that was so sophisticated and of such a size that builders of today would be utterly incapable of such advanced levels of construction.

The summit of Kinder Scout is littered with megalithic structures that many climb over but never question.

 

The city of Nottingham is but one example of how these former civilisations have been buried and exist, quite literally, beneath our feet.

Nottingham University’s ‘Tales from the Caves’ exhibition: a uniformitarian fairy tale.

By way of example, last Thursday, I visited an exhibition at Nottingham University on the proliferation of the caves that exist under the city. There were a number of documents, photographs and associated articles that are displayed in glass cabinets. The lighting is dim which renders them difficult to read. Significantly, the exhibition denies any and all members of the public the opportunity to film or take photographs of them on the false premise that the exhibits are either private or will be damaged by the act of taking a photograph, so I don’t have any illustrations to show.

Universities are in the business of spewing out false narratives, thereby hiding the Truth.

However, the role of the University is clearly that of a gatekeeper – a gatekeeper who takes the view that the ordinary man is morally and intellectually inferior to the burghers of truth. They have engaged a number of lecturers to deliver talks on the subject but these were sold out – a pity as I would have loved to have had the opportunity of asking some pertinent questions.

The University’s attitude is typical of such institutions and is in marked contrast to the museums, like the one at Nottingham Castle, where no such restrictions exist on photography.

Castle Rock, on top of which stands Nottingham’s Ducal Palace (it is not a castle). Acadummies regurgitate the narrative that the ‘caves’ were dug out by the city’s inhabitants from the ‘natural’ rock.

In any event, it matters not as the exhibition simply repeats the false uniformitarian notion that the caves were formed in some mythical time when all the land was under sea and that, centuries later, the caves were carved out by men equipped only with hammers and chisels and horses and carts for moving away the rubble.

Indeed, a little to the West of the Trent Building (a venue where, incidentally, I studied for a degree in English back in the 80s), there is a curious out-of-place-artifact (OOPART) which stands as testimony to the inherent nonsense of uniformitarianism, the false doctrine of how life was formed in this realm:

More acadummic nonsense; a plaque at Nottingham University promoting a fictitious narrative.

The Isles of Britain are full of such OOPARTS and remains, all of which point to the existence of an ancient civilisation that was blown apart and covered by a series of catastrophes that were documented and recorded by historians who had a firmer grasp on the real history than those highly-paid ‘professionals’ whose job it is to regurgitate the falsities with which they have been programmed.

One particular example is the remarkable tunnel that goes from the Park Estate to Derby Road – the official narrative would have us believe that this was constructed so the high and mighty could drive their horse and carriages from the Estate and into the city. It took a few years to construct and yet, when it was finished, the slope was too steep for the carriages to travel along.


If you visit the tunnel, you will see that the entire structure is built upon massive sandstone blocks that are clearly not a result of the compression of sedimentary rock but are engineered, possibly poured into situ by an ancient and advanced civilisation.

A tunnel that the false guardians and progenitors of our ‘history’ state was built at the same time as the city’s other old-world buildings that exist to this day. Those buildings were not built in the 19th century by highly skilled architects, masons, master-craftsmen who had no power tools and were wholly reliant on horses and carts to transport massive stones at a time when the population was very small and the roads were often muddy morasses.

The logistics of these bogus narratives are always the common point at which they fall down: the numbers of people, the technology available to them simply do not add up. In other words, many of Nottingham’s buildings are from an old-world civilisation that has been buried by cataclysm and built over.

This take on our world is one which few go near but, it has to be noted, more and more people are digging into it and making sense of it by systematically demolishing the AI narratives.

The fake archeology of Nottingham is echoed all round the towns and cities of the Isles of Britain as well as across the realm we call Earth.

The Isles of Britain are full of artefacts and remains that point to the existence of an ancient civilisation that was blown apart and covered by a series of catastrophes that were documented and recorded by historians of former epochs who had a firmer grasp on the real history than the current highly-paid ‘professionals’ whose job it is to regurgitate the falsities with which they have been programmed.

In this case, the fog is created by the deliberate falsehoods of the University Uniformitarians, aca-dummies, each and everyone of them, whose role it is to enshroud and obscure the incredible remains of the advanced civilisation that once existed across the lands of Britain.

Thank you for reading this essay. As ever, I am very grateful to those who have chucked a few quid into the coffers by way of the  Buy Me a Coffee button and/or have taken out a subscription to my Substack pages where, if you like, you can also support me by taking out a paid subscription which will grant you ‘first dibs’ on my output.

Further viewing –

Rather synchronistically, this presentation by Jason Breshears of Archaix illustrates perfectly that which I have attempted to convey. Highly recommended.

3

Episode 61: What Lies Under Nottingham?

Beneath the veneer of woke nonsense promoted by Nottingham Castle, there lies an ancient history.

Nottingham Castle’s Art gallery, museum displays and Robin Hood exhibition each promote a woke agenda which is irrelevant to the true history of the city and its people.

In marked contrast to the Papplewick Pumping Station, the various displays and exhibitions, Nottingham Castle’s computer-generated activities, the videos and artwork are, in the main, aimed at women and children.

The exhibits featured in this RogueCast have been in-situ for over a year now and it is a reasonable question to ask, when will they change them?

As regular visitors to the castle, my children and I have, over the last 12 months, seen it all.

If we begin with the Robin Hood section, it becomes clear and apparent that the entire exhibition has been contaminated with what some may term ‘woke nonsense’ – black and brown-skinned actors and characters are depicted throughout the rolling video,

Black actor playing role of a medieval monk.

with one talking head being an African-descended actor who plays the role of a priest (left). The street scenes are depicted as being populated by brown-skinned characters and this is manifestly a false representation, designed for reasons of ‘diversity’ – the fabricated notion that there have always been ethnic minorities living on these isles. It is a nonsense and one which I will not even bother commenting upon further.

In the art gallery upstairs, there is a painting of a scene from Nottingham’s ancient Goose Fair. Of all the hundreds of characters in view, there a group  is ‘blacked-up’ as a minstrel. Whoever wrote the title card about the picture is evidently a woke sort for he or she, rather than commenting on the remarkable overall content chooses to focus on the minstrel and offers a bizarre apology when she stupidly claims that the  people were acting in an “offensive racist stereotype of black people” at the time and should, evidently, be condemned for this act of ‘blacking up’. Quite how or why the author thinks such a comment is necessary, is beyond my ken. Is she (and, I’d wager the author is a woman) of the view that the delicate sensibilities of the visitor need to be protected in some way?

Notice the patronising and politically correct commentary.

Would it be reasonable for a white (caucasian) individual to be upset by a visit to, for instance, a Nigerian museum and be ‘offended’ by the absence of caucasians in any of the art work?

It is worth noting that the ‘gov’ of Nigeria actually has a policy in place that actually prevents such a circumstance arising:

To return the matter in hand, namely the drab feminised-politically-correct exhibitions currently on display at Nottingham ‘Castle’, It is all window-dressing and, without exception, the displays are entirely aimed at women – the main ones being the Nottingham Lace exhibit which contains dresses, table-cloths and commemorative items made from lace. The exhibit has been in place for over a year and, in my view, needs changing: it’s all fur coat and no knickers.

Next, there is the ‘pottery’ display. Again, aimed at women and children, it features all manner of crockery items and a number of alabaster features, not all of which have their origins cited.

The art gallery is similarly afflicted with woke nonsense, egregious examples of ‘modern art’ and portraits of nondescript local ‘everyday’ people, with a ridiculous over-representation of ‘ethnic minorities’, all of which suggests it is simply part of the afore-mentioned politically correct agenda.

Downstairs, there is more of the same, with a display entitled Kaleidoscopic Realms which, according to the ‘woke’ blurb, “presents an installation of artworks by eight contemporary artists revealing a colourful insight into intuitive mark-marking in its many forms, alongside films made about the artists and their practice.”

The empty – literally, non-sensical – rhetoric drips from the writing like diarrhoea from a cracked toilet bowl,

“Unfettered explorations of repetition, pattern, detail, and culture weave their way into the artwork. A clear sense of storytelling and play often features, whilst others just ooze the pure joy of mark-making and material investigations. Ceramics, embroidery, pen drawings, and large-scale painted canvases invite closer viewing, whilst an impressive installation of bold, wrapped sculptures entices you with its strong presence.”

Even the ‘Rebellion’ exhibit has a montage of cartoons and talking heads, much of which is filled with the chatter of women, as if they actually played a significant role in the purported torching of the Ducal Palace in 1831 and, interestingly, is so badly-lit that some of the maps and features literally cannot be seen or read with the naked eye.

And all the while, the Ducal palace (it is not in any shape the castle that it once was) sits atop the famous ‘Castle Rock’ which displays evidence of a cataclysm so profound and of such immense force that it melted the previous structure that stood there.

Indeed, the entire city of Nottingham is built on top of a former civilisation as evidenced by the hundreds of caves and tunnels that lie under the surface.

In short, the narratives that are pumped out by those in charge of Nottingham Castle are designed to pamper to the ‘woke’ brigade, where ‘racism’ and ‘women’s rights’ are given ‘pride’ of place at the expense of the real and ancient history.

Lies, deceptions and a multiplicity of false representations dominate throughout. That said, my two nippers do enjoy the children’s playground which has been constructed inside the old moat and, as you’d expect, the castle does provide a range of views across the city and the surrounding landscape.

Thank you to those readers and viewers who have so generously tipped me a few quid via the Buy Me a Coffee button.

I also publish my work on Substack, so if you frequent that platform, please consider subscribing.

2

Nottingham People to Stand Up To Tyranny

It is a tyranny that is going Tits Up.

Remember, Remember 21st December.

On the Winter Solstice, beginning at 6:30pm on Tuesday, the people of Nottingham will be meeting at the iconic Robin Statue to voice the fact that they have had enough of the tyranny, the mass murder ‘program’ and any and all attempts to curtail their god-given freedoms.

As well as venting spleen, there will be a minute long candlelit silence for those who have been murdered by Midazolam and all those attending are asked to bring a candle for the vigil..

The anger is rising

This comes at the same time as the laying of the charges of mass murder against the 4 Horsemen of the Divoc 91 Apocalypse.

Yesterday, there was another massive turnout in London of hundreds of thousands of people who have evidently had a gut-full of the tyranny.

London, 18 December, 2021

 

23.5 Million People in England Stand their Ground and decline the Divoc 91 Arm-spear

On top of which, it would appear that there is an enormous display of critically-thinking public non-compliance with the diktats of the criminal gov and its SAGE controllers, as exemplified by the fact Savage Jabhead and co. have lied about the actual numbers of unjabbed people in England alone:

Source

As I have been stating for some time, the dark forces behind the Divoc 91 Psy-Op are, inevitably, losing the all-important control of the fake narrative. When it collapses, and that moment is imminent, the associated Rothschild Bankster’s manipulation of the psy-op and their attempts to further enslave the people via a centralised digital currency will come into sharp focus. This is exactly what the would-be controllers fear the most.

In short, the people have had enough.

Those who voted for Brexit  did so in greater numbers than was claimed – this was why the controllers had to go along with it, to make it appear that it was a very close vote when, in reality, outside the bubbles of the dominant chattering classes, there is a sizeable number of British people who, quite simply, do not fall for the bullshit.

There are two measures that suggest this is the case:

Firstly, the fact that, as any stage or therapeutic hypnotist will confirm, there will always be at least a quarter of the people who remain unsusceptible any attempts to ‘put them under’ (mind-control them) :

Studies have shown that about 25% of the population cannot be hypnotized.

 

And about 10% are highly-susceptible to hypnosis.

 

And Professor Desmet simplifies this even more for us. He says that 30% of people are now deeply hypnotized and have irrationally accepted the experimental shots as their solution.

 

40% are not yet hypnotized but will ultimately go along with the herd.

 

And the rest of us are seeing things clearly.

 

What the enemy is trying to do is extremely dangerous, because if the masses ever awaken from their spell, they will demand justice and so stress must constantly be maintained upon the masses until the mass formation is complete.

Source

Secondly, the fact that there are some 23.5 million people in England who have not even had one jab, according to the state’s own figures, is a solid indicator that the entire Divoc 91 Genocide programme is simply not going to work on huge swathes of the population.

A Message from the Dark Lord Rothschild?

On top of which there is this letter to Henry Makow, purportedly written by Overlord Jacob of the criminal House of Rothschild. Whether or not it is genuine is difficult or impossible to state – perhaps the Rothschild-owned Reuters Fact Checkers could confirm or deny it?

“Everyone must do the same. In all communist nations we have fostered, it is customary that for “equality” for the desired and planned “levelling” in this new order, in order for people to have the same in their needs and wants, everyone has to be psychologically trained to obey the same commands”
 

“The universal vaccine programs not only open the door for behavior control through gene modification and enhancement, but more importantly for the present operation – psychological behaviour control with the vaccines is even more fundamental. Regardless of whether or not the vaccines are unnecessary and useless regarding the virus, or even harmful for many, they are the most uniform and concerted psychological weapon ever devised to control human behaviour.”  Henry Makow website

In any event, it is written in response to the voluminous works of Henry Makow who says it rings true. The link gives a clear analysis of the alleged Rothschild post, as do the comments below, which highlight the behaviours of a psychopath and the errors in his Dark Over Lordship’s inverted thinking, particularly with regard to the false claim that the truth is of no consequence for the majority of Mankind has lost its ability to think critically and in the name of ‘equality’, it has fallen to the Sabattean Frankist bullshit as espoused by a man whose family has parasited upon Mankind for over 200 years.

The collapse of the narrative and its associated revelations about the mass-murdering Overlords is imminent. Now is the time to stand our ground and make it clear we have had enough: the genocide must end.

Seasonal greetings to all my readers and especially to all who have made a donation over the past 12 months – all of which are truly appreciated.

5

Proudly powered by WordPress | Theme: Baskerville 2 by Anders Noren.

Up ↑